10.0 印度尼西亚语 · 2022 · 印度尼西亚 · 恐怖片
Emir Mahira,Zee JKT48,Andrew Barrett,Angel Sianturi,Iszur Muchtar,Randhika Jamil,Kezia Caroline,Shatora Narajan,Farandika,Chelcy Clarissa,Gabriela Margareth Warouw,Neysa Chandria,阿里约·瓦哈布,Jenny Zhang
Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.
7.0 瑞典语 · 1955 · 瑞典 · 剧情片
伊娃·达尔贝克,哈里特·安德森,古纳尔·布约恩施特兰德,乌尔夫·帕姆,因加·朗格里,本克特-奥克·本特松,斯文·林德贝里,Kerstin Hedeby,茜芙·埃里克斯,约斯塔·普吕塞柳斯,Sigvard Törnqvist,Nini Arpe,Asta Backman,英格玛·伯格曼,Margaretha Bergström,比约恩·比耶尔文斯塔姆,勒妮·比约林,阿克塞尔·迪贝里,Jessie F
一个时尚编辑和一个模特儿到另一座城市出差,两人各自发生艳遇,但春梦一觉醒来,才得见内心的惶恐。上世纪50年代的伯格曼作品经常有强迫深刻的意味,如本片对女性梦想、痛苦、挣扎等跟男人的关系作了探讨,虽然是部讽刺喜剧,但有一种焦距不准的模糊。
5.0 英语 · 2010 · 欧美 · 恐怖片
马索·曼恩,爱德华·福隆,安吉利·赞巴拉娜,Luis Da Silva Jr,安东尼·迈克尔·弗雷德里克
他(MethodMan饰)是一个沉默的男子,永远礼帽风衣,沉默地穿梭在这座道德沦丧、破败绝望的城市的大街小巷。死亡每天发生,司空见惯,不知天高地厚的年轻人们呼啸而过,挥霍生命。白天他是市殡仪馆的殡仪师,以娴熟专业且庄重的手法清理残破不堪的尸体,带死者走过最后一程;夜晚则端坐那间被暴怒吵闹的邻居所包围的小屋里,细心制作动物标本,为他们的主人找回最后的安慰。某天,一具女性尸体在他死水般的内心世界引起涟漪。尸体上纹有波提切利的名作《维纳斯诞生》,似曾相识的图案勾起了他对往事的回忆。城市的自毁仍在继续,他也无法永保平静……
7.0 英语,新阿拉米语 · 2011 · 美国 · 欧美剧
约翰·汉纳,马努·贝内特,彼得·门萨,达斯汀·克莱尔,尼克·塔拉贝,露西·劳莱丝,克莱格·瓦尔什·怀特森,莱斯丽-安·布莱德,安东尼奥·特·迈奥哈,斯特芬·劳瓦特,沙恩·朗吉,杰西卡·格雷斯·史密斯,莱乔·瓦斯列夫,约阿内金,玛丽莎·拉米雷斯,Gareth Williams,杰弗瑞·托马斯,吉米·莫瑞,Josef Brown,Peter Feeney,史蒂文·A·戴维斯,特穆拉·莫里森,Vince
《斯巴达克斯:竞技场之神》(Spartacus: God of Arena)实际上就是《斯巴达克斯:血与沙》(Spartacus: Blood And Sand)的前传,在这个Batiatus家族崛起的故事中,Lucy Lawless和John Hannah成为人们关注的焦点,他们在Spartacus成为被俘的色雷斯奴隶前就已经是Batiatus家族的优胜者
8.0 其它 · 1925 · 其它 · 科幻片
Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.